All Francesco Hayez 's Paintings

The Painting Names Are Sorted From A to Z
Oil On Canvas, Real Flavor of Old Masters

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Choice ID Image  Painting (From A to Z)       Details 
59283 Ruth  Ruth   Ruth (1835) Collezioni Comunali d'Arte, Bologna
59296 Samson and the Lion  Samson and the Lion   Samson and the Lion (1842) Galleria d'Arte Moderna, Florence
98158 Samson und der Lowe  Samson und der Lowe   1842(1842) Medium oil on canvas Dimensions Deutsch: 210 x 162 cyf
59317 Self portrait at age 69  Self portrait at age 69   Self-portrait at age 69 (1860) Galleria degli Uffizi, Florence
59334 Self portrait at age 88  Self portrait at age 88   Self-portrait at age 88 (1879) Galleria d'Arte Moderna, Venice
98341 Self-portrait at the age of 69.  Self-portrait at the age of 69.   1860 Medium oil on canvas Dimensions 124 x 97 cm (48.8 x 38.2 in)
59264 Sicilian Vespers, Scene 1  Sicilian Vespers, Scene 1   Sicilian Vespers, Scene 1 (1821-1822) Private collection, Milan
59300 Sicilian Vespers, Scene 3  Sicilian Vespers, Scene 3   Sicilian Vespers, Scene 3 (1846) Galleria Nazionale d'Arte Moderna, Rome
93619 Sizilianische Abende  Sizilianische Abende   1846(1846) Medium oil on canvas Dimensions Deutsch: 225 x 300 cm cjr
93690 Sizilianische Abende  Sizilianische Abende   1821-1822 Medium oil on canvas Dimensions Deutsch: 150 x 200 cm cjr
92172 Sizilianische Vesper  Sizilianische Vesper   1846(1846) Medium oil on canvas Dimensions Deutsch: 225 X 300 cm cyf
98322 Sizilianische Vesper  Sizilianische Vesper   1821-1822 Medium oil on canvas Dimensions Deutsch: 150 x 200 cm
59272 The Ballerina Carlotta Chabert as Venus  The Ballerina Carlotta Chabert as Venus   The Ballerina Carlotta Chabert as Venus (1830) Museo di Arte Moderna e Contemporanea di Trento e Rovereto, Trento
59327 The Death of the Doge Marin Faliero  The Death of the Doge Marin Faliero   The Death of the Doge Marin Faliero (1867) Pinacoteca di Brera, Milan
98320 The destruction of the Temple of Jerusalem.  The destruction of the Temple of Jerusalem.   1867(1867) Medium oil on canvas Dimensions Deutsch: 183 x 252 cm
1565 The Kiss  The Kiss   1859 Brera, Milan
40718 The Kiss  The Kiss   mk156 1859 Oil on canvas 112x88cm
56249 the kiss  the kiss   mk247 1859 ,oil on canvas,44x34.5 in,112x88 cm,pinacoteca di brera,milan,ltaly
59258 The Kiss  The Kiss   The Kiss (1859) Pinacoteca di Brera, Milan.
59324 The New Favorite  The New Favorite   The New Favorite (Harem Scene) (1866) Private collection, Milan
59292 The Parting of the Two Foscari  The Parting of the Two Foscari   The Parting of the Two Foscari (1842) Galleria d'Arte Moderna, Florence
59270 The Patient  The Patient   The Patient (portrait of Carolina Zucchi) (1825) Museo Civico, Turin
59269 The Penitent Mary Magdalene  The Penitent Mary Magdalene   The Penitent Mary Magdalene (1825) Civica Galleria d'Arte Moderna, Milan
59278 The Refugees from Parga  The Refugees from Parga   The Refugees from Parga (1831) Pinacoteca Tosio Martinengo, Brescia
22838 The Refugees of Parga (mk22)  The Refugees of Parga (mk22)   1828-1831 Oil on canvas,approx 200 x 290 cm Brescia,Pinacoteca Tosio Martinengo
59284 The Seventh Crusade against Jerusalem  The Seventh Crusade against Jerusalem   The Seventh Crusade against Jerusalem (1838-1850) Palazzo Reale, Turin
87357 The Sicilian Vespers  The Sicilian Vespers   Date 1846(1846) Medium Oil on canvas Dimensions Deutsch: 225 x 300 cm cjr
80812 The Two Foscari  The Two Foscari   ca. 1852(1852) Medium Oil on canvas cyf
77505 The Two Foscari: Francesco Foscari, Doge of Venice banishing his son Jacopo on the charge of treasonable correspondence while in exile  The Two Foscari: Francesco Foscari, Doge of Venice banishing his son Jacopo on the charge of treasonable correspondence while in exile   The Two Foscari: Francesco Foscari, Doge of Venice (c. 1372-1457) banishing his son Jacopo on the charge of treasonable correspondence while in exile; subject of Bryon's poetic drama 'The Two Foscari'" The Two Foscari (Title by WGA) ca. 1852(1852) Oil on canvas 168 cm (66.1 in). Height: 121 cm (47.6 in). cjr
84364 Trivulzio  Trivulzio   1832(1832) Medium Oil on canvas Dimensions Deutsch: 136 x 101 cm cyf
59261 Ulysses at the court of Alcinous  Ulysses at the court of Alcinous   Ulysses at the court of Alcinous (1813-1815) Galleria Nazionale di Capodimonte, Naples
70948 Ulysses at the court of Alcinous  Ulysses at the court of Alcinous   Medium Oil on canvas Dimensions 381 x 535 cm
92422 Valenza Gradenigo before the Inquisition  Valenza Gradenigo before the Inquisition   1835(1835) Medium oil on canvas Dimensions Height: 96 cm (37.8 in). Width: 115.5 cm (45.5 in). cjr
59335 Vase of Flowers on the Window of a Harem  Vase of Flowers on the Window of a Harem   Vase of Flowers on the Window of a Harem (1881) Pinacoteca di Brera, Milan
59309 Venetian Women  Venetian Women   Venetian Women (1853) Villa Carlotta, Tremezzo
91543 Venezianerinnen  Venezianerinnen   1853(1853) Medium oil on canvas Dimensions Deutsch: 55 x 40 cm cyf
98325 Weiblicher Akt  Weiblicher Akt   oil on canvas Dimensions 105 x 70 cm (41.3 x 27.6 in)
87158 Zusammentreffen von Jakob und Esau  Zusammentreffen von Jakob und Esau   Date 1844(1844) Medium Oil on canvas Dimensions Deutsch: 208 x 300 cm cjr
89998 Zusammentreffen von Jakob und Esau  Zusammentreffen von Jakob und Esau   1844(1844) Medium oil on canvas cyf
91114 Zusammentreffen von Jakob und Esau  Zusammentreffen von Jakob und Esau   1844(1844) Medium oil on canvas cyf
91936 Zusammentreffen von Jakob und Esau  Zusammentreffen von Jakob und Esau   1844(1844) Medium oil on canvas Dimensions Deutsch: 208 X 300 cm cyf
85814 Zusammentreffen von Jakob und Esau, Detail  Zusammentreffen von Jakob und Esau, Detail   Date 1844(1844) Medium Oil on canvas cjr

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Francesco Hayez
1791-1882 Italian Francesco Hayez Galleries Hayez came from a relatively poor family from Venice. His father was of French origin while his mother, Chiara Torcella, was from Murano. The child Francesco, youngest of five sons, was brought up by his mother sister, who had married Giovanni Binasco, a well-off shipowner and collector of art. From childhood he showed a predisposition for drawing, so his uncle apprenticed him to an art restorer. Later he became a student of the painter Francisco Magiotto with whom he continued his studies for three years. He was admitted to the painting course of the New Academy of Fine Arts in 1806, where he studied under Teodoro Matteini. In 1809 he won a competition from the Academy of Venice for one year of study at the Accademia di San Luca in Rome. He remained in Rome until 1814, then moved to Naples where he was commissioned by Joachim Murat to paint a major work depicting Ulysses at the court of Alcinous. In the mid 1830s he attended the Salotto Maffei salon in Milan, hosted by Clara Maffei (whose portrait Hayez painted for her husband), and he was still in Milan in 1850 when he was appointed director of the Academy of Brera there. Assessment of the career of Hayez is complicated by the fact that he often did not sign or date his works. Often the date indicated from the evidence is that at which the work was acquired or sold, not of its creation. Moreover he often painted the same compositions several times with minimal variations, or even with no variation. His early works show the influence of Ingres and the Nazarene movement. His later work participates in the Classical revival.



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